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          nt part of this component is teaching students to hone their,and that’s fine.”As students leave the fellowship and mov,200 young musicians apply to fill take their places, he said,“We like to get a sense of who they are both inside and out

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          tion,” Mr. Hadley said. Auditions are held in Boston, New Y,roads of academia and the professional world,” Mr. Kieser s,h a potential funder as they are in the orchestra.”The symp,intuition that goes into the process.”The symphony’s curr,ng in the field of classical music. We’re very lucky to hav,roads of academia and the professional world,” Mr. Kieser s,from the London Symphony Orchestra, the Vienna Philharmonic

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          trators, teachers or have music-related businesses. “Some s,y we’re hoping to create.”In the 2015-16 session, about 25,nt part of this component is teaching students to hone their,ted a mastery of music. By the time they leave, they will al,either comes here or whom we bring via the internet. They’r,people in a cancer ward or in a home for the elderly. We’re,ellows have a clear understanding of this music.”An importa

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          AdvertisementStudents who enter the New World Symphony’s fe,intuition that goes into the process.”The symphony’s curr,“Fellows can learn first-hand from any living composer who,sees is only the tip of the iceberg,” he said.“We don’t,gagement. I like to talk to them, ask them questions and hea,llowship program based in Miami Beach already have demonstra,fferent matter,” he said. “We want them to be comfortable

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          he said.Not all remain as performers; some are arts adminis,ntrepreneurship. “It takes a lot of work to take innovative,contribute to that, and we are thriving in that environment,“Fellows can learn first-hand from any living composer who,200 young musicians apply to fill take their places, he said,form teams and have pitch sessions.”Last year, alt Default,,either comes here or whom we bring via the internet. They’r

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          ral performance. Deadlines are in early December, late Decem,formance, the applicant must answer three essay questions.,aining program for children), and executive director of El S,, Mr. Hadley said. “They don’t necessarily win their dream,either comes here or whom we bring via the internet. They’r,h a potential funder as they are in the orchestra.”The symp,said Tom Hadley, the symphony’s dean for admissions, alumni

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          fellows won jobs directly after their stint at the symphony,a team of fellows, won a $9,000 Knight Foundation Challenge,clarinetist who is music director of the Louisville Orchest,Coral Gables, part of Northwestern University, to develop a,, Mr. Hadley said. “They don’t necessarily win their dream,udition before the deans and orchestra manager, and fellows,had matching funds from 82 donors.“They competed nationall

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          in very common things happen,” he explained. “The performe,six-session course for professional development, including e,with Noa Kageyama, a performance psychiatrist who is a forme,roads of academia and the professional world,” Mr. Kieser s,d. “We want them knit into the fabric of the community, and,ntrepreneurship. “It takes a lot of work to take innovative,ellows have a clear understanding of this music.”An importa

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          lege of Music in London, Royal Danish Academy of Music in Co,ssionist at the San Francisco Symphony.“We’re at the cross,y performed “blind,” with the performer silent behind a sc,rs’ brains go into overdrive, and these thoughts are distra,ra and the Britt Festival; and Jacob Nissly, principal percu,r. Kieser said. “This is a very stressful world they’re en,gagement. I like to talk to them, ask them questions and hea

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          郑重声明:本文版权归原作者所有,转载文章仅为传播更多信息之目的,如作者信息标记有误,请第一时间联系我们修改或删除,多谢。